ANTENNAE

THE JOURNAL OF NATURE

IN VISUAL CULTURE

THE JOURNAL OF NATURE IN VISUAL CULTURE

Antennae: The Journal of Nature in Visual Culture

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Antennae: The Journal of Nature in Visual Culture

Antennae: The Journal of Nature in Visual Culture

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PAGE 49

We are pleased to offer two special print editions, dedicated to the rise of interest in art and science collaborations. Available for a limited press run of 300 copies each, Issue #47 - Experiment and Issue #48 - Interface total almost 500 pages of full color images, essays, interviews and artist portfolios. These collections feature original contributions from authors and artists representing the vanguard of art and science.

the art and science

#47 — experiment

DONNA HARAWAY

This project is co-edited in collaboration with American artist and philosopher Jonathon Keats whose bold experiments have raised serious questions and put into practice his conviction that the world needs more “curious amateurs,” willing to explore publicly whatever intrigues them in defiance of a culture that increasingly forecloses on wonder and silos knowledge into narrowly defined areas of expertise.

34 essays and interviews

featuring key contemporary artists and scholars

329 pages

202 illustrations

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DOUGFOG GIOVANNIALOI GRAHAMHARMAN CAROLINEPICARD

LYNNTURNER

RONBROGLIO KATHYHIGH JESSICAULLRICH

HENRIKHÅKANSSON ANDREWYANG ERWINDRIESSENS

MARIAVERSTAPPEN

KENRINALDO MUSTAFASABBAGH CECILIANOVERO DOROTHYCROSS

ANGELASINGER

CAROL J ADAMS

SUZANNE ANKER

JONATHAN BIRTH

DOROTHY CROSS

CARSTON HOLLAR

GARY HUME

OLEG KULIG

ROSEMARYTROCCO

PAULINE OLIVERO

PETER SINGER

LOISWAINTERBER

CARY WOLFE

AND MANY MORE

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NEW LIMITED PRINT EDITION

ANTENNAE ISSUE #47 and #48

diptych

This issue of Antennae explores the rise of interest in art and science collaborations. Partly because of the resonance of the posthuman cyborg in the ontological turn; because of the rise of Bio Art; because of the prominence that multidisciplinarity has acquired in academia; and surely in light of our fraught relationship with our environment and climate change, the intersections between art and science have recently become more complexly de ned by new ethical, political, aesthetic, and poetic registers.

WITH CONTRIBUTIONS BY

#48 — interface

The interface emerges as an agentially charged field—it reveals itself as a productive material dimension through which our thinking, questions, and assumptions are formed, mapped, shaped, and tested. From this perspective, the interface manifests itself as an artistic material-surface—a creative and reactive field through which we modulate the bandwidth of a perceptual gap—the poetic and philosophical distance between us and the actants and systems we study. Because of its inherent agential potential, the interface is also prone to become an ethical battlefield.

Keith Armstrong | Elizabeth Atkinson | Sarah Bezan

WITH CONTRIBUTIONS BY

ORDER THIS ISSUE // $30

AVAILABLE NOW AT MAJOR ONLINE BOOKSELLERS

DIMENSIONS: 8.3 x 11 INCHES

Antennae is a peer-reviewed, non-funded, independent, quarterly academic journal. All rights of featured content of website and PDF publication are reserved. Editor in Chief: Giovanni Aloi. 2017

Antennae is a peer-reviewed, non-funded, independent, quarterly academic journal. All rights of featured content of website and PDF publication are reserved. Editor in Chief: Giovanni Aloi. © 2006 — 2020

Antennae is a non-profit, advertising-free platform. As the journal grows in popularity, we are driven to produce issues that are always better than our previous. But to continue WE NEED YOUR SUPPORT.